01
Rivière
19 momme satin, dyed a warm champagne that turns rose at the fold.
01 / The house
A room of looms above the Rhône.
Maison Aubry began with Émile Aubry’s eight-frame loom and a stubborn belief: a scarf should feel as deliberate on its reverse as on its face.
Today, his great-granddaughter Camille works from the same Croix-Rousse floorboards. Every order starts with a conversation about movement—not trend.
Meet the current cloths ↓02 / The method
A quiet hand makes an animated surface.
We dye in short baths, rest the yarn overnight, then thread it at first light. The small irregularities are not corrected away. They are where a length becomes recognisably ours.
36 hours / 1.6 metres
hand-finished at each edge
03 / Autumn lengths
Three cloths with a different memory of light.
02
La Lettre
Double-faced twill in paper-blush and sealed-wine red, for a precise knot.
03
Minuit
A dense crepe that keeps the blue-black depth of Lyon after rain.
04 / How a length begins
There is no rush in silk.
From a colour note to the final rolled edge, a commissioned length spends eleven days moving through the atelier.
- 01 / MON
Find the exact colour of the request.
We mix pigment against a dry swatch, not a screen.
- 02 / WED
Set the tension by hand.
Camille listens for the shuttle before she watches it.
- 03 / FRI
Let the edge remain human.
Each rolled hem is held, turned and finished in the afternoon light.
05 / The light table
Turn the cloth toward the window.
Rivière / champagne satin
Choose a cloth, then draw light across it.
06 / By appointment
Bring a gesture. We will find its silk.
The atelier is open Thursday through Saturday, one guest at a time. Ask to see the dye book, then take the stairs slowly.
Arrange a visit