Blob & Co.
Toy studio · Small year no. 07

One soft
object a year.

We are Blob & Co., a tiny toy studio for people who still press their thumb into the good bit of the sofa. Everything we make earns a whole year of attention.

Preparing the clay tray…

Focus the tray. Use left and right arrow keys to choose a blob, Enter to pick it up, arrow keys to move it, and Escape to let it settle home.

2025 / studio object

The Almost
Peach

A palm-sized, not-quite-fruit for desk meetings, waiting rooms and slow train windows. Press its shy dimple; the whole body yields, then finds its shape again. We spent six months finding the exact pause before the bounce.

  • bodyfood-safe platinum silicone, matte as a peach bloom
  • weight146 g — present enough to settle a busy hand
  • colourblush, with a small butter-yellow stone
  • releaseSeptember 19, 2025 · 800 numbered pieces
2024 / 06

Fold

A mint pocket lump designed to make a repeatable crease. The crease always chooses a different place.

2023 / 05

Orbit

A ring that turns every table into a tiny, very patient solar system.

2022 / 04

Side Bean

The first one with a lean. Kept beside keyboards and borrowed by everyone.

A small return-time test

Press. Hold.
Let it remember.

The Almost Peach is tuned to answer a hand, not a stopwatch. Give it three small presses and it will leave you a note from the workbench.

A dimple follows your thumb. The tray keeps three impressions, then asks for a clean start.

0 / 3 imprints

Return-time notebook

Tray is clear. A good object starts with an empty place for a thumb.

  1. No thumbprints yet.

The slow toy promise

We leave room for a second thought.

Each release begins with a question that cannot be answered by adding another feature: what should a hand feel when it has nowhere else to be?

01 / bruise testWe make prototypes you can bruise.

Clay, foam and unreasonably soft silicone live on our kitchen table until the surface tells us where it wants to cave in.

02 / mould memoryWe use the same mould until it retires.

One object a year lets us wear in the tools, learn their oddities and keep the familiar imperfections that make a batch feel alive.

03 / return timeWe never optimise the wobble away.

A return to shape should take a breath. That tiny delay is the entire conversation between your hand and the object.

Occasional studio letter

From the soft side of the workbench.

Once every few weeks, we send a material test, a badly drawn mould, or a note from the afternoon something finally felt right. No launch countdowns. No urgency theatre.